NCRCL Scholarships 2017-2018

We are delighted to announce that applications for our annual NCRCL Scholarships 2017-18 are now open.

Department of English and Creative Writing and the National Centre for Research in Children’s Literature (NCRCL)

logoa-colourTECHNE AHRC Doctoral Training Partnership 2017

We invite applications from outstanding candidates for our TECHNE AHRC doctoral studentships. Studentships are awarded in departments across the university, but the NCRCL will consider applications for projects related to children’s literature or creative writing for children. Projects drawing on our archival holdings—such as the Richmal Crompton archive—will be especially welcome. For more information and details of how to apply, please see our Graduate School pages:

http://www.roehampton.ac.uk/Courses/Graduate-School/TECHNE/

There will be an Open Evening for interested applicants on Tuesday 8 Nov 2016 from 5.30pm at Grove House on our Froebel campus – please contact Prof. Ian Haywood for details: I.Haywood@roehampton.ac.uk

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Postgraduate research studentships – Jacqueline Wilson Scholarship 2017

In addition to TECHNE studentships, we will award our annual Jacqueline Wilson Scholarship to a candidate of the highest calibre. Applicants for TECHNE awards will be considered automatically for the Jacqueline Wilson Scholarship, so please apply for a TECHNE studentship in the first instance. Candidates who do not secure TECHNE funding will be eligible to compete for the Jacqueline Wilson Scholarship—you do not need to apply separately (please note that although TECHNE funding can be secured by students who have already started their doctoral studies, the Jacqueline Wilson Scholarship is only open to new applicants).

This studentship will be awarded to an emerging scholar working in the field of children’s literature or creative writing for children. The Jacqueline Wilson Scholar will be based in the award-winning NCRCL with access to the Children’s Literature Collection and archives, and will join a lively community of researchers, writers and students. This fully funded scholarship will cover home/EU fees of £4,121 for Home/EU students and maintenance of £16,296 p.a. for 3 years full-time subject to satisfactory progress. (NB – these figures are correct for 2016-17 and are yet to be confirmed for 2017-18).

The scholarship is open to new students only and preference may be given to proposals that build on the research interests of the NCRCL. These include, but are not limited to: young adult fiction; philosophy; historical fiction; landscape; memory; reading. Applicants are encouraged to identify potential supervisors as part of their application.

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 The Department of English and Creative Writing with over 600 students and 33 academic staff, has a growing international reputation for its research and teaching excellence. In the 2014 Research Excellence Framework (REF), 80% of all our research publications were ranked as “world leading” or “internationally excellent” for their impact. The successful candidate will become part of an active and growing community of postgraduate scholars in a vibrant research culture, established external collaborations with London institutions and a very good track record of student success.

The Department is looking for candidates of the highest quality, capable of submitting a Ph.D. thesis within 3 years. Applicants should have completed an MA degree in a relevant subject, such as children’s literature, reading or memory, prior to the start of the studentship. Applicants should also be able to demonstrate strong research capabilities and fluency in spoken and written English that meets the university’s entrance criteria for doctoral study.

The University of Roehampton is set on a beautiful, traditional campus in south-west London. The University provides its students with exceptional facilities, high quality teaching and a close-knit, collegiate experience. It has a diverse student body and a cosmopolitan outlook, with students from over 130 countries.

Deadline for applications: see information via TECHNE link above

For further information or for informal discussion please contact Dr. Lisa Sainsbury: L.Sainsbury@roehampton.ac.uk

Please visit http://www.roehampton.ac.uk/Courses/Graduate-School to find out more about postgraduate research at Roehampton. For all non-academic queries relating to the studentships, please contact Graduate School Admissions on 020 8392 3848, email PGresearch@roehampton.ac.uk

 

NCRCL Blog

This is the home of the NCRCL blog, where you will find news, updates and posts from members of the staff, students and alumni at the National Centre for Research in Children’s Literature (NCRCL) at Roehampton University in west London.  You can read more about our popular MA in Children’s Literature which is run on-site and through distance learning, as well as undergraduate teaching in children’s literature in both our English and the Creative Writing departments. Please feel free to comment with questions or thoughts.

Kay Waddilove: Motherhood in 1950s Populist Children’s Literature

You are warmly invited to

‘Housewife or Citizen? Constructing Motherhood in Populist Children’s Literature of the 1950s’
Kay Waddilove, NCRCL PhD Candidate, Roehampton University

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1957 cover of John Bull magazine. Image via Gillian Thomas.

The talk examines the construction of motherhood in stories by four popular children’s writers in the context of post-war citizenship. Giving central importance to the family was seen by government as a crucial part of national reconciliation after the Second World War, and a new concept of wives and mothers as citizens was to emerge. The traditional female role became a lynchpin of consensus, and the consequent gendered notions of citizenship for women conflated their performance of the maternal biological and nurturing role with their proficiency as housewives. This talk will situate representations of mothers by popular authors such as Noel Streatfeild and Enid Blyton within such discursive constructions of maternity during the 1950s.

Wednesday 7th December
1-2 pm
Fincham 001, Roehampton University

ALL WELCOME

Crossover Robinsonades: NCRCL Research Talk with Ian Kinane

NCRCL/English and Creative Writing Research Talk

‘Fairchild’s Noble Savage and the Social Contract in Several Classic Crossover Robinsonades’

 Dr. Ian Kinane, University of Roehampton

In this paper, I argue that the island trope in several Robinsonade narratives functions, in part, as a means of interrogating the relationship between individualism (the single, solitary Crusoe-figure who exists in isolation) and socialisation. I will examine the conflict between the individual castaway’s desires to subsist in isolation and the inevitable pull exerted by her/his obligation to the society or social model from whence she/he came. Using Fairchild’s concept of the noble savage (a watchful, reflective entity), I will explore the ways in which the child configures her/his relationship to others on the island, and the ways in which she/he carves out a metaphoric “I-land” for her/himself.

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Detail from Neil Gower’s 2011 cover for William Golding’s Lord of the Flies. Image via Gower.

Wednesday 30th November 2016, 1 pm

Duchesne 001, Digby Stuart, University of Roehampton

ALL WELCOME

Illustrating Marvellous Imaginations

The 23rd annual IBBY/NCRCL MA Conference took place on 5 November 2016 at the University of Roehampton. This year’s theme was ‘Marvellous Imaginations – Extending thinking through picture books’. This week on the NCRCL blog, alumni and current NCRCL students will be reporting on various aspects of the conference, including the speakers, panellists and parallel sessions.

Illustrating Marvellous Imaginations

During this conference, people were not just taking notes, asking questions about picturebooks, and discussing marvellous imaginations: Laura Davis and Emma Dunmore were also illustrating the conference proceedings.

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Marvellous Imaginations: A Wonderful Day

The 23rd annual IBBY/NCRCL MA Conference took place on 5 November 2016 at the University of Roehampton. This year’s theme was ‘Marvellous Imaginations – Extending thinking through picture books’. This week on the NCRCL blog, alumni and current NCRCL students will be reporting on various aspects of the conference, including the speakers, panellists and parallel sessions.

Marvellous Imaginations: A Wonderful Day

By Suzanne Curley

On Saturday November 5th Roehampton University once again hosted the annual IBBY/NCRCL Conference. This year’s theme was ‘Marvellous Imaginations: Extending thinking through picture books’.

There was, as always, a plethora of fascinating sessions from academics and leading experts in the field of picture book study and creation.

The day began with a lovely array of tea, coffee, pastries and socialising, with an opportunity to browse the display tables, including the IBBY Collection of Outstanding Books for Young People with Disabilities, which showcased a range of books representing a variety of disabilities both physical and mental, from board books, right up to young adult fiction.

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A teeming display table

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Marvellous Imaginations: Reflections on the makers and readers of picture books

The 23rd annual IBBY/NCRCL MA Conference took place on 5 November 2016 at the University of Roehampton. This year’s theme was ‘Marvellous Imaginations – Extending thinking through picture books’. This week on the NCRCL blog, alumni and current NCRCL students will be reporting on various aspects of the conference, including the speakers, panellists and parallel sessions.

Marvellous Imaginations: Reflections on the makers and readers of picture books

By Lesley Smith

Martin Salisbury: “The New Picturebook-Makers: Visual Thinker as Author”

Martin Salisbury is Professor of Illustration at Anglia Ruskin University and leads the MA Children’s Book Illustration programme.

Picture books are usually 32 pages, which gives you 12 spreads between the end papers and titles. People think picture books are easy to write but pictures are a language in themselves, not just an extra to the words. Drawing is another way of thinking, a way of reasoning on paper and many people are visual thinkers, working out their ideas through drawing – “I prefer drawing to talking. Drawing is faster and leaves less room for lies” (Le Corbusier).

In picture books for children, it the image used to merely reflected the words, but the authorial side of illustration has come to the fore in recent years and there is often more meaning in the pictures than there is in the text (e.g. There’s a Bear on My Chair by Ross Collins). Publishers are, however, still a little nervous about wordless books where all the writing is in the pictures.

In France, picture books are more sophisticated. In China, interest in picturebooks is increasing as entertainment is becoming as important as overt didactism. In Germany, the Wimmelbuch (literally teeming book, like Martin Handford’s Where’s Wally?) is on the rise.

Vivienne Smith: “Playing at Reading? Why picturebooks really matter in the teaching of reading”

Vivienne Smith is a lecturer in Primary Education at the University of Strathclyde. She is particularly interested in reading as a creative and social practice.

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Beyond the Uniform and The Big Ideas Project: Parallel Session 1

The 23rd annual IBBY/NCRCL MA Conference took place on 5 November 2016 at the University of Roehampton. This year’s theme was ‘Marvellous Imaginations – Extending thinking through picture books’. This week on the NCRCL blog, alumni and current NCRCL students will be reporting on various aspects of the conference, including the speakers, panellists and parallel sessions.

Beyond the Uniform and The Big Ideas Project: Parallel Session 1

By Andrew Pope

In The Big Ideas Project, researchers investigated a range of concepts through children’s books with 60 primary school children. Beyond the Uniform is a collabroative project that uses children’s and YA fiction to examine social attitudes to women military veterans. Attended by a select group of no more than 10, this session was run by Debbie Beeks and Helen Limon, both of whom came across as formidably powerful characters in their field.  I chose this session because of its potential relevance to my next assignment, in which I plan to write about Apache, by Tanya Landman, the story of a Native American girl/warrior.

Debbie Beeks from the Seven Stories foundation in Newcastle explained how the researchers in The Big Ideas Project were obliged to demonstrate that they had informed the local community of their work, and that, through her and Seven Stories, they had selected children’s picture books in order to provide focus for sessions with groups from local schools. Debbie is apparently trained in Drama, and her inventiveness was very evident in the stimulating exercises which were used to encourage the children’s understanding. Thoroughly inspirational!

Helen Limon, who works at Newcastle University, then reported on her work with military veterans, investigating the use of picture books and YA literature in easing the rehabilitation process, particularly for women. Again, her commitment and observation were inspiring; both speakers stressed the need to adjust one’s view, or ‘frame’, when considering picture books, since the images and ideas may seem innocuous, and yet the underlying assumptions that they reinforce may well be less than even-handed!

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Marvellous Imaginations – Excitement, enthusiasm, and new insights

The 23rd annual IBBY/NCRCL MA Conference took place on 5 November 2016 at the University of Roehampton. This year’s theme was ‘Marvellous Imaginations – Extending thinking through picture books’. This week on the NCRCL blog, alumni and current NCRCL students will be reporting on various aspects of the conference, including the speakers, panellists and parallel sessions.

Marvellous Imaginations – Excitement, enthusiasm, and new insights

By Mark Carter

Somehow I have managed to reach the ripe old age of 37 without ever having attended any type of conference so I wasn’t entirely sure what to expect of the IBBY/NCRCL MA ‘Marvellous Imaginations’ conference but I went away full of excitement, enthusiasm and new insights into the world of picture books. One of the final speakers of the day, Jane Davis from The Reader, began her talk by saying that she felt like she was home – all the things she had heard or seen through the day were things that were already in her head or in her heart and I wholeheartedly agree.

The day began with a talk by Martin Salisbury, who talked about the notion of ‘Visual Thinkers’ and of drawing and image as a form of thought. He showed us some beautiful examples of work from his students and former students who are blurring the lines between author and illustrator, and picked up on Oliver Jeffers’ coining of the term ‘Picture Book Maker’ as a more appropriate term than either author or illustrator. One aspect of David’s talk that I found absolutely fascinating was his discussion of what he called the ‘culture clash between makers and thinkers’. He suggested that the makers and ways of making are too often thought of as being something separate from the scholarly work that is done purely in words and scholarly articles. He gave some excellent examples of people who are beginning to present their research and theory in visual terms, including a PhD student who had presented their academic paper on Wimmelbücher as a Wimmelbuch! (And in case you don’t know (which I didn’t) Wimmelbuch means ‘teeming book’, a book teeming with visual details)

Vivienne Smith from the University of Strathclyde was next with a brilliantly energetic and inspirational talk on reading and play which lamented the fact that all too often play is seen as something different from reading; particularly in the current school system where the aim of reading education is purely about decoding the words on the page. Unfortunately this fails to teach children how to become sophisticated or meaningful readers or to appreciate the great possibilities of literacy – something that can really only be achieved by playing with words and language. The current mode of teaching reading, Smith argued, is incredibly limiting, particularly for children of deprived backgrounds who may not experience opportunities to explore texts outside the classroom. As Smith rightly observed, playing with language is how we learn to control language and the ability to control language is a source of significant power in society. ‘Good books’, she said  ‘help children understand that they are powerful’. Smith illustrated her points wonderfully by reading to us extracts from a number of books, including Claire and Kes Gray’s Oi Dog! and Colin McNaughton’s Don’t Step on the Crack, contrasting their wonderful playful anarchy with the rather unimaginative phonic decoding text of Julia Donaldson’s school reading scheme book, Top Cat.

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